That secret rare with affluence hardly join'd, Which W----n lost, yet B----y ne'er could find; Still miss'd by vice, and scarce by virtue hit, By G----'s goodness, or by S----'s wit.

After VER. 250 in the MS--

Trace humble worth beyond Sabrina's shore, Who sings not him, oh, may he sing no more!

VER. 287, thus in the MS.--

The register enrolls him with his poor, Tells he was born and died, and tells no more. Just as he ought, he fill'd the space between; Then stole to rest, unheeded and unseen.

VER. 337, in the former editions--

That knotty point, my lord, shall I discuss Or tell a tale!--A tale.--It follows thus.

EPISTLE IV.--TO RICHARD BOYLE, EARL OF BURLINGTON.

ARGUMENT.

OF THE USE OF RICHES.

The vanity of expense in people of wealth and quality. The abuse of the word 'taste,' ver. 13. That the first principle and foundation, in this as in every thing else, is good sense, ver. 40. The chief proof of it is to follow nature, even in works of mere luxury and elegance. Instanced in architecture and gardening, where all must be adapted to the genius and use of the place, and the beauties not forced into it, but resulting from it, ver. 50. How men are disappointed in their most expensive undertakings, for want of this true foundation, without which nothing can please long, if at all; and the best examples and rules will but be perverted into something burdensome or ridiculous, ver. 65 to 92. A description of the false taste of magnificence; the first grand error of which is to imagine that greatness consists in the size and dimension, instead of the proportion and harmony of the whole, ver. 97; and the second, either in joining together parts incoherent, or too minutely resembling, or in the repetition of the same too frequently, ver. 105, &c. A word or two of false taste in books, in music, in painting, even in preaching and prayer, and lastly in entertainments, ver. 133, &c. Yet Providence is justified in giving wealth to be squandered in this manner, since it is dispersed to the poor and laborious part of mankind, ver. 169 [recurring to what is laid down in the 'Essay on Man,' ep. ii. and in the epistle preceding this, ver. 159, &c.] What are the proper objects of magnificence, and a proper field for the expense of great men, ver. 177, &c.; and finally, the great and public works which become a prince, ver. 191, to the end.

'Tis strange, the miser should his cares employ To gain those riches he can ne'er enjoy: Is it less strange, the prodigal should waste His wealth, to purchase what he ne'er can taste? Not for himself he sees, or hears, or eats; Artists must choose his pictures, music, meats; He buys for Topham[45] drawings and designs, For Pembroke statues, dirty gods, and coins; Rare monkish manuscripts for Hearne[46] alone, And books for Mead, and butterflies for Sloane. 10 Think we all these are for himself? no more Than his fine wife, alas! or finer whore.